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A Lesson Before Dying
Cover of A Lesson Before Dying
A Lesson Before Dying
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"This majestic, moving novel is an instant classic, a book that will be read, discussed and taught beyond the rest of our lives."—Chicago Tribune

Winner of the National Book Critics Circle Award, A Lesson Before Dying is a deep and compassionate novel about a young man who returns to 1940s Cajun country to visit a black youth on death row for a crime he didn't commit. Together they come to understand the heroism of resisting.
From the critically acclaimed author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman.

"This majestic, moving novel is an instant classic, a book that will be read, discussed and taught beyond the rest of our lives."—Chicago Tribune

Winner of the National Book Critics Circle Award, A Lesson Before Dying is a deep and compassionate novel about a young man who returns to 1940s Cajun country to visit a black youth on death row for a crime he didn't commit. Together they come to understand the heroism of resisting.
From the critically acclaimed author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman.

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Languages:-
Copies-
  • Available:
    1
  • Library copies:
    1
Levels-
  • ATOS:
  • Lexile:
    750
  • Interest Level:
  • Text Difficulty:
    3 - 4

Recommended for you

Excerpts-
  • Chapter One I was not there, yet I was there. No, I did not go to the trial, I did not hear the verdict, because I knew all the time what it would be. Still, I was there. I was there as much as anyone else was there. Either I sat behind my aunt and his godmother or I sat beside them. Both are large women, but his godmother is larger. She is of average height, five four, five five, but weighs nearly two hundred pounds. Once she and my aunt had found their places—two rows behind the table where he sat with his court-appointed attorney—his godmother became as immobile as a great stone or as one of our oak or cypress stumps. She never got up once to get water or go to the bathroom down in the basement. She just sat there staring at the boy's clean-cropped head where he sat at the front table with his lawyer. Even after he had gone to await the jurors' verdict, her eyes remained in that one direction. She heard nothing said in the courtroom. Not by the prosecutor, not by the defense attorney, not by my aunt. (Oh, yes, she did hear one word—one word, for sure: "hog.") It was my aunt whose eyes followed the prosecutor as he moved from one side of the courtroom to the other, pounding his fist into the palm of his hand, pounding the table where his papers lay, pounding the rail that separated the jurors from the rest of the courtroom. It was my aunt who followed his every move, not his godmother. She was not even listening. She had gotten tired of listening, She knew, as we all knew, what the outcome would be. A white man had been killed during a robbery, and though two of the robbers had been killed on the spot, one had been captured, and he, too, would have to die. Though he told them no, he had nothing to do with it, that he was on his way to the White Rabbit Bar and Lounge when Brother and Bear drove up beside him and offered him a ride. After he got into the car, they asked him if he had any money. When he told them he didn't have a solitary dime, it was then that Brother and Bear started talking credit, saying that old Gropé should not mind crediting them a pint since he knew them well, and he knew that the grinding season was coming soon, and they would be able to pay him back then.

    The store was empty, except for the old storekeeper, Alcee Gropé, who sat on a stool behind the counter. He spoke first. He asked Jefferson about his godmother. Jefferson told him his nannan was all right. Old Gropé nodded his head. "You tell her for me I say hello," he told Jefferson. He looked at Brother and Bear. But he didn't like them. He didn't trust them. Jefferson could see that in his face. "Do for you boys?" he asked. "A bottle of that Apple White, there, Mr. Gropé" Bear said. Old Gropé got the bottle off the shelf, but he did not set it on the counter. He could see that the boys had already been drinking, and he became suspicious. "You boys got money?" he asked. Brother and Bear spread out all the money they had in their pockets on top of the counter. Old Gropé counted it with his eyes. "That's not enough," he said. "Come on, now, Mr. Gropé," they pleaded with him. "You know you go'n get your money soon as grinding start." "No," he said. "Money is slack everywhere. You bring the money, you get your wine." He turned to put the bottle back on the shelf. One of the boys, the one called Bear, started around the counter."You, stop there," Gropé told him. "Go back." Bear had been drinking, and his eyes were glossy, he walked unsteadily, grinning all the time as he continued around the counter. "Go back," Gropé told him. "I...
About the Author-
  • Ernest J. Gaines was born on a plantation in Pointe Coupee Parish, near New Roads, Louisiana, which is the Bayonne of all his fictional works. His previous books include A Gathering of Old Men, In My Father's House, A Long Day in November, The Autobiography of Miss Jane Pittman, Bloodline, Of Love and Dust, and Catherine Carmier. He divides his time between San Francisco and the University of Southwestern Louisiana in Lafayette, where he is writer-in-residence.



Reviews-
  • Publisher's Weekly

    May 2, 1994
    Gaines's NBCC Award-winning novel tells of the relationship forged between a young black man on death row and his teacher in 1940s Louisiana.

  • Publisher's Weekly

    March 1, 1993
    Gaines's first novel in a decade may be his crowning achievement. In this restrained but eloquent narrative, the author of The Autobiography of Miss Jane Pittman again addresses some of the major issues of race and identity in our time. The story of two African American men struggling to attain manhood in a prejudiced society, the tale is set in Bayonne, La. (the fictional community Gaines has used previously) in the late 1940s. It concerns Jefferson, a mentally slow, barely literate young man, who, though an innocent bystander to a shootout between a white store owner and two black robbers, is convicted of murder, and the sophisticated, educated man who comes to his aid. When Jefferson's own attorney claims that executing him would be tantamount to killing a hog, his incensed godmother, Miss Emma, turns to teacher Grant Wiggins, pleading with him to gain access to the jailed youth and help him to face his death by electrocution with dignity. As complex a character as Faulkner's Quentin Compson, Grant feels mingled love, loyalty and hatred for the poor plantation community where he was born and raised. He longs to leave the South and is reluctant to assume the level of leadership and involvement that helping Jefferson would require. Eventually, however, the two men, vastly different in potential yet equally degraded by racism, achieve a relationship that transforms them both. Suspense rises as it becomes clear that the integrity of the entire local black community depends on Jefferson's courage. Though the conclusion is inevitable, Gaines invests the story with emotional power and universal resonance. BOMC and QPB alternates.

  • Chicago Tribune "This majestic, moving novel is an instant classic, a book that will be read, discussed and taught beyond the rest of our lives."
  • Boston Globe "A Lesson Before Dying reconfirms Ernest J. Gaines's position as an important American writer."
  • Los Angeles Times "Enormously moving. . . . Gaines unerringly evokes the place and time about which he writes."
  • San Francisco Chronicle "A quietly moving novel [that] takes us back to a place we've been before to impart a lesson for living."
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    Knopf Doubleday Publishing Group
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A Lesson Before Dying
A Lesson Before Dying
Ernest J. Gaines
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